The bluegrass pioneer has died at 89, after inspiring Bob Dylan, mentoring a generation of musicians and making a comeback in O Brother, Where Art Thou?
Ralph Stanley, the last of the first-generation of bluegrass bandleaders, died on Tuesday of skin cancer. He was 89.
His life represented just how far bluegrasshad traveled, from its formidable days in the 1940 s of the mountain region of the upland south to today, where core elements of the music are hear everywhere. Throughout his seven decades as a working musician, Stanley survived downturns in the industry not once, but many times, each time returning stronger and primed to introduce the music to new ears. As the eternal leader of the Clinch Mountain Boys a revolving group that in different incarnations included Keith Whitley and Ricky Skaggs he developed two generations of musicians to carry the music forward. His tenor voice is recollected as the last of its kind unvarnished, solitary, searching.
I call him the king of mountain spirit, there was something so moving about his voice. It was ancient and mysterious-sounding. At the same day during a demonstrate he could veer off into something that was very joyful and uplifting and fun, tells Jim Lauderdale, who recorded and rendered Stanley, sharing a Grammy with him in 2002 for Lost in the Lonesome Pines, a collaborative album.
He merely had that indefinable quality about him that just really made people feel and allowed them to go through that wide range of feelings. As a listener that is pretty rare in the history of music. Only the greats have that quality, he says.
Stanley was born 25 February 1927 in Dickenson County, Virginia. Tucked in the south-west region of the state, the area was dominated by coal mines and deep woodlands. His mother, who played banjo, taught him the traditional clawhammer style of playing, which requires the player to strike their fingers downward in rhythm.
I learned the thumb three-finger roll, but I didnt wishes to sound like anybody. I wanted it to be my style, he told this novelist in 2014.
He and Carter Stanley, his brother, formed the Stanley Friend in 1946 and accelerated the style of bluegrass already developed by Bill Monroe breakneck rhythms, impeccably day arrangements, close harmonies in high registers, and almost jazz-like improvisational infringes. The word bluegrass hadnt even been invented by the time they procured their first record contract, with Columbia Records in 1948. The Stanley Friend introduced three-part harmony singing, assisted by mandolin player Darrell Pee Wee Lambert, who remains the only surviving member of the group.
The sound brought a haunting quality to the music that would define the genre. Anthems like The White Dove, The Lonesome River, The Wandering Boy, and Death is Only a Dreaming were example of songs that used simple images, but elicited deep feelings through the interlocking harmonies. The group also popularise traditional folk songs like Pretty Polly, Little Maggie, and Im a Man of Constant Sorrow, introducing them to a younger generation of folk singer in the late 1950 s and 1960 s like Bob Dylan. During the said period the Stanley Brothers are also credited for being the first bluegrass group to give prominence to the leading guitar.
Over their first two decades, the Stanleys recorded for Columbia, Mercury and even King Records, an early home to James Brown. In fact, it is Browns finger-snaps that are heard on the Stanley Friend anthem Finger Poppin Time in 1960. By then, rocknroll had done damage to the bluegrass market. Musicians like Monroe, Flatt& Scruggs, and the Stanley Friend had detected a new audience on the college circuit where they discovered eager fans at the Newport folk festival and University of Chicago folk festival, among others.
Carter Stanley died unexpectedly of liver cancer in 1966 at age 41, leaving his brother at a crossroads. Carter was the bandleader and dominant presence in the band. He was also the primary lyricist. By contrast, Ralph was shy and soft-spoken. My brother did most of the emcee run and advertising and all of the talking, Stanley said in 2014. I had to get used to that. Ive done my best.
Under Ralphs direction, the Clinch Mountain Boys emphasized sacred music and songs from his early Appalachian roots. He also brought in younger players to mentor. In a statement, Skaggs called Stanley his hero and different kinds and humble king from the mountains.
I was blessed to know him, love him and construct music with him as a young adolescent, he said. He carried the ancient audios from God knows where. Ralph determined it in the music of the mountains, in the hollows, in the person or persons and in the churches.
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