Alan Rickman, giant of British film and theatre, dies at 69

Much-loved star of stage, TV and movies including Harry Potter and Die Hard and proprietor of one of the most singular voices in acting has died in London

Alan Rickman, one of the best-loved and most warmly admired British performers of the past 30 years, has died in London aged 69. His death was corroborated on Thursday by his family. Rickman had been suffering from cancer.

A star whose archway features and languid enunciation were recognisable across the generations, Rickman saw a fresh legion of fans with his role as Professor Snape in the Harry Potter movies. But the actor had been a big-screen staple since first shooting to global acclaim in 1988, when he starred as Hans Gruber, Bruce Williss sardonic, dastardly adversary in Die Hard a part he was offered two days after arriving in Los Angeles, aged 41.

Gruber was the first of three memorable baddies played by Rickman: he was an outrageous sheriff of Nottingham in 1991 s Robin Hood: Prince of Thieves, as well as a terrifying Rasputinin an acclaimed 1995 HBO film.

But Rickman was also a singular leading man: in 1991, he starred as a cellist opposite Juliet Stevenson in Anthony Minghellas affecting supernatural romance Truly, Madly, Deeply; four years later he was the honest and modest Col Brandon in Sense and Sensibility, starring and scripted by Emma Thompson. He was to reunite with Thompson many times: they played husband and wife in 2003 s Love, Actually and former fans in 2010 BBC drama The Song of Lunch.

In 1995, he directed Thompson and her mom, Phyllida Law, in his directorial debut, the acclaimed Scottish drama The Winter Guest. Last year, he reunited with Kate Winslet, another Sense and Sensibility co-star, for his second movie as director, A Little Chaos a period romance established in the gardens of Versailles.

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Yet it was Rickmans work on stage that established him as such a compelling talent, and to which he returned throughout his career. After graduating from Rada, the actor supported himself as a dresser for the likes of Nigel Hawthorne and Ralph Richardson before finding work with the Royal Shakespeare Company( as well as on TV as the slithery Reverend Slope in The Barchester Chronicles ).

His sensational breakthrough came in 1986 as Valmont, the mordant seducer in Christopher Hamptons Les Liaisons Dangereuses. He was nominated for a Tony for the part; Lindsay Duncan memorably told of her co-stars sonorous performance that audiences would leave the theatre wanting to have sex and preferably with Alan Rickman.

He and Duncan as well as their director, Howard Davies reunited in 2002 for Noel Cowards Private Lives, which transferred to Broadway after a successful run in London.

Other key stage performances included Mark Antony opposite Helen Mirrens Cleopatra at the Olivier Theatre in London, and the title role in Ibsens John Gabriel Borkman at the Abbey Theatre in Dublin in 2010 again with Duncan, and again transferring to New York. The following year he starred as a creative writing prof in Seminaron Broadway.

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Alan Rickman and Lindsay Duncan in Private Lives. Photograph: Peter Jordan/ PA

In 2005, Rickman directed the award-winning play My Name is Rachel Corrie, which he and Katharine Viner now Guardian editor-in-chief compiled from the emails of the student who was killed by a bulldozer while protesting against the actions of the Israel Defense Forces-out in the Gaza Strip.

Rickman remained politically active throughout his life: he was born, he told, a card-carrying is part of the Labour party, and was highly involved with charities including Saving Faces and the International Performers Aid Trust, which seeks to help artists in developing and poverty-stricken countries.

Rickman publicly spoke of his unhappiness about the Hollywood aiming of 1996 movie Michael Collins, a historical biopic of the Irish civil war, in which he portrayed Eamon de Valera, and expressed his belief that art ought to help educate as well as entertain. Talent is an accident of genes, and a responsibility, he once said.

He and his wife, Rima Horton, fulfilled when they were still teenagers; she became an economics lecturer as well as a Labour party councillor. In 2012, the pair wedded, having been together since 1965.

Rickman was an actor unafraid of the unexpected. He voiced a ruler in an episode of cult carton King of the Hill and a megalomaniac pilot fish called Joe in the Danish animator Help! Im A Fish. In 2000, Rickman seemed as Sharleen Spiteris love interest in the music video for Texass 2000 reached In Demand, which involves them tangoing at a petrol station. In 2015, Rickman again featured in the video for one of their singles, this time with vocals.

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He spoofed his own persona in comedy Galaxy Quest( 2000 ), in which he plays a Shakespearian-trained performer who has determined fame as a Spock-style alien in a long-running sci-fi series and in Victoria Woods Christmas special of the same year, as an upright colonel at the Battle of Waterloo.

Rickman was sanguine about his legions of supporters, who declared their love on countless websites, video tributes and at stage doorways. Even scientists were not immune: in 2008, linguistics profs concluded that the most appealing male voice mixes elements of Rickman, Jeremy Irons and Michael Gambon.

Recent film roles included an art-loving lord in the Coen brethren scripted travesty Gambit( 2012 ), as Ronald Reagan in Lee Danielss The Butler and a humorous, imperious King Louis XIV in A Little Chaos.

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Alan Rickman and Rima Horton in 2002. Photograph: Yui Mok/ PA

Rickman is still to be seen in Eye in the Sky, a thriller about droning warfare that won rave reviews at the Toronto film festival last year, and repeating his voiceover as Absolem the Caterpillar in Alice Through the Looking Glass, also due for release subsequently this year.

That Rickman never won an Oscar( he did receive a Golden Globe, an Emmy, a Bafta and many more) became a perennial topic in interviews but did not seem to difficulty the actor himself. Components win awards , not performers, he said in 2008. It was the wider worth of his art to which Rickman remained committed, saying that he found it easier to treat the run severely if he could look upon himself with levity.

Actors are agents of change, he told. A movie, a piece of theater, a piece of music, or a book can make a difference. It can change the world.

Read more: www.theguardian.com

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